Artistic Director Emerita Judith Jamison's first choreographic success displays the musical sophistication and complexity of movement that marked her as a promising dancemaker. African polyrhythms lend the work an air of mystery and mysticism while the title suggests a search or quest.
Created in 1984, five years before Jamison’s ascent to artistic director of the Ailey company, the piece is set to the music of Kimati Dinizulu and Monti Ellison, and builds on a variety of dance idioms from throughout Africa to create a pulsating, strikingly modern work. At its premiere, The New York Times gave special praise to Jamison’s “invention of movement shapes and movement quality that give the piece a fascinating originality.”
This new production of Divining is made possible with generous support from Michele & Timothy Barakett, The Red Moose Charitable Fund, and The Kansas City Friends of Alvin Ailey - Sara & Bill Morgan New Works Endowment Fund.
Support for this production was provided, in part, by The Gladys Krieble Delmas Foundation.
Jacqueline Green in Divining, photo by Paul Kolnik
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Jacquelin Harris in Divining, photo by Paul Kolnik
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Danica Paulos, Chalvar Monteiro, and Renaldo Maurice in Divining, photo by Paul Kolnik