Encouraging Police Brutality

Vertical Divider

“My art piece is a reminder that while the American public was protesting in the streets, in record numbers, against racism and police brutality, Donald Trump was encouraging police brutality against the protesters, reinforcing the very same problems within law enforcement and the criminal justice systems the protesters were demanding to be reformed.”

-Shepard Fairey

Learn the Facts About Donald Trump’s Using Unprecedented Force While stoking the flames of Racism in America

Donald Trump simultaneously uses the language of racism and white supremacy to talk about our communities and incite violence at protests across our country. “When the looting starts, the shooting starts” is a phrase first made famous by 1967 Miami Police Chief Walter Headley, a known racist who led his police department to aggressive acts against the civil rights movement. In addition to repeatedly using historically racist language and encouraging police brutality, Trump has also authorized additional unmarked police forces to attack and remove peaceful protestors.

“When the looting starts, the shooting starts” – Donald Trump

Fact

Learn the history of the racist phrase When The Looting Starts The Shooting Starts – Source: NPR

Trump has repeatedly used language that incites violence including telling police departments to be “rough… don’t be too soft!” on protestors. – ABC News

Fact

Trump uses false arguments to hide the facts: black people are 12.7% of the population, while comprising possibly 32% of all murders committed by police officers. – Source: NIH.gov

Trump incites further unrest, instructing Virginians that their Second Amendment rights were “under siege” and that they should “LIBERATE!” themselves – Source: ABC News

Fact

Trump escalated the protests in major cities by sending unmarked cars and unidentified federal officers in camouflage.- Source: NPR

Trump enacted the Insurrection Act of 1807 for the first time in over 100 years to use federal forces against the country’s own citizens. – Source NPR

Star Icon

I WILL REMEMBER WHAT THEY DID AND PLEDGE TO #VoteThemOut!

Shop

Help spread the word by buying posters, stickers, t-shirts, and masks. All purchases are political contributions that support our get out the vote efforts!

 

Grab This

     Profile Pic!

Are you registered?

Shepard Fairey

Charleston, SC

Website: obeygiant.com

Artist Info

Shepard Fairey was born in Charleston, South Carolina. He received his Bachelor of Fine Arts in Illustration at the Rhode Island School of Design in Providence, Rhode Island. In 1989 he created the “Andre the Giant has a Posse” sticker that transformed into the OBEY GIANT art campaign, with imagery that has changed the way people see art and the urban landscape. After 30 years, his work has evolved into an acclaimed body of art, which includes the 2008 “Hope” portrait of Barack Obama, found at the Smithsonian’s National Portrait Gallery. In 2017, the artist collaborated with Amplifier to create the We The People series, which was recognizable during the Women’s Marches and other rallies around the world in defense of national and global social justice issues.

Fairey’s stickers, guerilla street art presence, and public murals are recognizable worldwide. His works are in the permanent collections of the Museum of Modern Art (MoMA), the Victoria and Albert Museum, the Smithsonian’s National Portrait Gallery, the Boston Institute of Contemporary Art, the San Francisco Museum of Modern Art, and many others.

In 2019, Shepard Fairey launched and toured “Facing the Giant: 3 Decades of Dissent,” a global exhibition and series of murals culminating with the 100th large-scale painted mural. “Facing the Giant” is a curated series of images chosen for their importance aesthetically and conceptually, and for addressing critical topics and themes frequently recurring throughout Fairey’s career. This selection of works touches on phenomenology, self-empowerment, rebellion, abuse of power, environmental destruction, racism, gender equality, xenophobia, campaign finance reform, the military-industrial complex, propaganda, war and peace, and economic imperialism. Since October 2019, Fairey has painted several more murals, counting more than 105 painted worldwide and many more planned before COVID-19 delays.