THIS SHOW IS CURRENTLY SOLD OUT
Additional performance of Ryoanji newly added on
Sunday, October 22 at 2:00 PM!
Image courtesy of Japan Society
Saturday, October 21, 8:30 pm—Pre-concert lecture at 7:30 pm
Inspired by the Zen rock garden of the renowned Ryoanji Temple in Kyoto, which John Cage personally visited in 1962, he composed Ryoanji (1983) using a non-ordinal graphical notation. Embracing Cage’s free-spirited approach to the score, composer/musician/vocal performer Tomomi Adachi brings his composition to life in a cutting-edge concert that connects two cities remotely. New York’s International Contemporary Ensemble will perform alongside musicians in Kanazawa City, Japan–Hitomi Nakamura on the ancient hichiriki woodwind and Maki Ota on vocals–streaming live from a tea house. Immerse yourself in the hypnotic 3D visuals depicting the raked sand of the Zen garden created by Dr. Tsutomu Fujinami, a researcher at the prestigious Japan Advanced Institute of Science and Technology, as a captivating backdrop for this one-of-a-kind concert.
A lecture on the origins of John Cage’s fascination with Japanese culture, led by Cage scholar Dr. James Pritchett, precedes the concert.
Performers
Tomomi Adachi, composer/performer
Hitomi Nakamura, hichiriki
Maki Ota, vocals
Mike Lormand, trombone
Lizzie Burns, double bass
Clara Warnaar, percussion
about the international contemporary ensemble
With a commitment to cultivating a more curious and engaged society through music, the International Contemporary Ensemble – as a commissioner and performer at the highest level – amplifies creators whose work propels and challenges how music is made and experienced. The Ensemble’s 35 members are featured as soloists, chamber musicians, commissioners, and collaborators with the foremost musical artists of our time. Works by emerging composers have anchored the Ensemble’s programming since its founding in 2001, and the group’s recordings and digital platforms highlight the many voices that weave music’s present.
Described as “America’s foremost new-music group” (The New Yorker), the Ensemble has become a leading force in new music throughout the last 20 years, having premiered over 1,000 works and having been a vehicle for the workshop and performance of thousands of works by student composers across the U.S. The Ensemble’s composer-collaborators—many who were unknown at the time of their first Ensemble collaboration—have fundamentally shaped its creative ethos and have continued to highly visible and influential careers, including MacArthur Fellow Tyshawn Sorey; long-time Ensemble collaborator, founding member, and 2017 Pulitzer Prize-winner Du Yun; and the Ensemble’s founder, 2012 MacArthur Fellow, and first-ever flutist to win Lincoln Center’s Avery Fisher Prize, Claire Chase.
Credits
The International Contemporary Ensemble’s performances and commissioning activities during the 2023-24 concert season are made possible by the generous support of the Ensemble’s board, many individuals, as well as the Mellon Foundation, Howard Gilman Foundation, Jerome Foundation, Fan Fox and Leslie R. Samuels Foundation, Aaron Copland Fund for Music Inc., Mid Atlantic Arts Foundation, Francis Goelet Charitable Lead Trusts, The Cheswatyr Foundation, Amphion Foundation, The Gladys Krieble Delmas Foundation, New Music USA’s Organizational Development Fund, Alice M. Ditson Fund of Columbia University, BMI Foundation, as well as public funds from the National Endowment for the Arts, New York City Department of Cultural Affairs in partnership with the City Council, the New York State Council for the Arts with the support of Governor Kathy Hochul and the New York State Legislature, the Illinois Arts Council Agency, and the Shuttered Venue Operators Grant (SVOG) from the U.S. Small Business Administration. The International Contemporary Ensemble was the Ensemble in Residence of the Nokia Bell Labs Experiments in Art and Technology from 2018-2021. Yamaha Artist Services New York is the exclusive piano provider for the International Contemporary Ensemble.