Your cart has expired remaining to complete your purchase
Event is Live
Carnegie Hall Presents

Bavarian Radio Symphony Orchestra

Thursday, May 2, 2024 8 PM Stern Auditorium / Perelman Stage
Sir Simon Rattle by Astrid Ackermann, Lester Lynch by Rex Lott
Sir Simon Rattle conducts the Bavarian Radio Symphony Orchestra in Mahler’s Sixth Symphony, which he calls “an extraordinary journey … in a strange way, Mahler’s most classical symphony, even though it is so profound and tragic and, in many ways, apocalyptic.” In works by Hindemith and Zemlinsky, the program also reveals the Weimar Republic’s electrifying sense of cross-cultural artistic possibility, as ragtime music and poetry of the Harlem Renaissance become integral components of 1920s works by leading German composers.

Part of: Fall of the Weimar Republic: Dancing on the Precipice and Carnegie Hall Live on WQXR

Performers

Bavarian Radio Symphony Orchestra
Sir Simon Rattle, Chief Conductor
Lester Lynch, Baritone

Program

HINDEMITH Ragtime (Well-Tempered)

ZEMLINSKY Symphonische Gesänge, Op. 20

G. MAHLER Symphony No. 6

Event Duration

The printed program will last approximately two hours, including one 20-minute intermission.

Listen Live on WQXR

Listen to Selected Works

KPMG
Sponsored by KPMG LLP
Support for the Fall of the Weimar Republic festival is provided by the Horace W. Goldsmith Foundation and the Hearst Foundations.

This Concert in Context

Hindemith composed his Ragtime (Well-Tempered) in 1921 at a time of deep uncertainty and widespread popular pessimism towards the fledgling Weimar Republic. While the scars of World War I were all too fresh, political violence was fast becoming a daily feature of life in Germany’s major cities. Inflationary pressures—which culminated in Weimar’s disastrous hyperinflation in 1923—destroyed countless Germans’ savings accounts and with it their faith in the Weimar state’s ability to improve the lot of Germans recovering from the psychological and economic costs of a lost war. Although Weimar democracy would weather the storm and go on to enjoy five years of relative stability and support from 1924 to 1928, it would not survive the second shock to the system delivered by the US stock market crash in 1929—the same year Zemlinsky composed his Symphonische Gesänge, Op. 20.

 

Although today Gustav Mahler is remembered as a composer of colossal, emotionally charged symphonic music—such as his Symphony No. 6—during his lifetime he was regarded as one of the world’s great conductors and opera-house directors. During his itinerant period in Vienna before World War I, Hitler ironically counted Mahler’s productions of Wagner’s music dramas among his favorites. Although Mahler himself would not live to see the onset of World War I and the rise of fascism across Europe, most German-Jewish composers recognized early on that there would be no place for them in the new Germany and fled the country.

 

—Brendan Fay, author of Classical Music in Weimar Germany

Bios

Sir Simon Rattle

Convincing charisma, a love for experimentation, commitment to contemporary music, great social and pedagogical engagement, and unreserved artistic seriousness—all of this makes ...

Read More

Lester Lynch

Lester Lynch is recognized for his charismatic and commanding voice in portrayals of several important characters in Verdi operas, including his signature role of Conte di Luna in Il ...

Read More

Bavarian Radio Symphony Orchestra

With the 2023–2024 season, the Bavarian Radio Symphony Orchestra (BRSO) welcomes its new chief conductor, Sir Simon Rattle. As the sixth chief conductor in the line of important ...

Read More

Stay Up to Date