Your cart has expired remaining to complete your purchase
Event is Live
Carnegie Hall Presents

Bamberg Symphony

Wednesday, April 24, 2024 8 PM Stern Auditorium / Perelman Stage
Jakub Hrůša by Ian Ehm, Hélène Grimaud by Mat Hennek
Be here for the Carnegie Hall debut of major rising-star conductor Jakub Hrůša. The Bamberg Symphony soars to life and the Holy Grail descends to Earth in the shimmering Prelude to Wagner’s Lohengrin—an opera that Hrůša conducted to great acclaim at the Royal Opera House, Covent Garden, where he was recently appointed music director. Brahms’s Third is the shortest of his four symphonies, and its relative compactness accentuates its emotional impact and masterful construction. Brilliant pianist Hélène Grimaud joins in Robert Schumann’s sole Piano Concerto, a lasting favorite of the Romantic period. The concert closes with the sweeping drama of Wagner’s Overture to Tannhäuser.

Part of: Fall of the Weimar Republic: Dancing on the Precipice

Performers

Bamberg Symphony
Jakub Hrůša, Chief Conductor
Hélène Grimaud, Piano

Program

WAGNER Prelude to Lohengrin

BRAHMS Symphony No. 3

R. SCHUMANN Piano Concerto

WAGNER Overture to Tannhäuser


Encores:

BRAHMS Hungarian Dance No. 18 in D Major

BRAHMS Hungarian Dance No. 21 in E Minor

Event Duration

The printed program will last approximately two hours, including one 20-minute intermission. 

Listen to Selected Works

Support for the Fall of the Weimar Republic festival is provided by the Horace W. Goldsmith Foundation and the Hearst Foundations.

This Concert in Context

While we now associate the Weimar Republic with modernism in all its various guises, traditional German composers from J. S. Bach and Haydn to Beethoven were a regular staple of concert fare. Even in Berlin, which has become virtually synonymous with the modernist face of “Weimar Culture,” Brahms and R. Schumann ranked among the six most-performed composers by the Berliner Philharmoniker between 1922 and 1925. For his part, Wagner—whose music dramas had attracted an almost cult-like following among Wagnerites on both sides of the Atlantic—became increasingly associated with radical right-wing politics. Widely regarded as Hitler’s favorite composer, Wagner’s connection to Nazism was further cemented due to the warm personal relationship the Nazi dictator enjoyed with Winifred Wagner, the wife of Wagner’s son Siegfried. Hitler would become a regular visitor and patron to the Bayreuth Festival in the 1920s and ’30s until his suicide in 1945, the radio announcement for which featured the music of Wagner and Bruckner.

 

—Brendan Fay, author of Classical Music in Weimar Germany

Bios

Jakub Hrůša

Jakub Hrůša is chief conductor of the Bamberg Symphony and principal guest conductor of both the Czech Philharmonic and the Orchestra dell’Accademia Nazionale di Santa Cecilia.  ...

Read More

Hélène Grimaud

Renaissance woman Hélène Grimaud is not just a deeply passionate and committed musical artist whose pianistic accomplishments play a central role in her life. Her multiple ...

Read More

Bamberg Symphony

The Bamberg Symphony is the only world-renowned orchestra that is not based in a major metropolis. The orchestra is known worldwide for its characteristically dark, somber, and warm sound, ...

Read More

Stay Up to Date