Your cart has expired remaining to complete your purchase
Event is Live
Carnegie Hall Presents

Ensemble Connect

Tuesday, April 9, 2024 7:30 PM Weill Recital Hall
Ensemble Connect by Fadi Kheir
Ensemble Connect makes a chamber music concert an immersive experience … providing insights into the composer, the work, and the players’ approach … few do it better” (Seen and Heard International). In this enlightening program—featured as part of Carnegie Hall’s Fall of the Weimar Republic: Dancing on the Precipice festival—the ensemble explores Berg’s dramatic Lyric Suite, a string quartet that achieved immediate and lasting popularity long before the discovery of its hidden origins and the illicit affair baked right into its score. Also featured are an early (and for decades unheard) string quartet by Gershwin, a string quartet written by Kurt Weill while he was under the tutelage of Busoni, and Schulhoff’s stylistically fluid Concertino.

Part of: Fall of the Weimar Republic: Dancing on the Precipice

Performers

Ensemble Connect

Program

SCHULHOFF Concertino for Flute, Viola, and Double Bass

WEILL String Quartet, Op. 8

BERG Lyric Suite

GERSHWIN Lullaby

Event Duration

The printed program will last approximately 90 minutes, including one 20-minute intermission. 

Salon Encores

Join us for a free drink at a post-concert reception in Weill Recital Hall’s Jacobs Room.
Learn More

Ensemble Connect is a program of Carnegie Hall, The Juilliard School, and the Weill Music Institute in partnership with the New York City Department of Education.
Lead funding has been provided by Max H. Gluck Foundation, the Hearst Foundations, The Kovner Foundation, Phyllis and Charles Rosenthal, The Edmond de Rothschild Foundations, Beatrice Santo Domingo, and Hope and Robert F. Smith.

Global Ambassadors: Michael ByungJu Kim and Kyung Ah Park, Hope and Robert F. Smith, and Maggie and Richard Tsai.

Additional support has been provided by the Kathi and Peter Arnow Foundation, Ronald E. Blaylock and Petra Pope, E.H.A. Foundation, Barbara G. Fleischman, Clive and Anya Gillinson,  Stella and Robert Jones, Martha and Robert Lipp, Rockefeller Brothers Fund, Susan and Elihu Rose Foundation, Melanie and Jean E. Salata, The Morris and Alma Schapiro Fund, Sarah Billinghurst Solomon and Howard Solomon, Carlos Tome and Theresa Kim, and David S. Winter.
Public support is provided by the New York City Department of Education. 
Ensemble Connect is also supported, in part, by endowment grants from The Kovner Foundation and the Estate of Eleanor Doblin Unger.
Support for the Fall of the Weimar Republic festival is provided by the Horace W. Goldsmith Foundation and the Hearst Foundations.

This Concert in Context

George Gershwin started writing Lullaby around 1919 while he was a student studying with the Hungarian émigré composer and pedagogue Edward Kilenyi. The piece appeared at a time of profound hope mixed with uncertainty for the fledgling Weimar Republic. Germany’s loss in World War I had seen the collapse of the German Empire and abdication of the Kaiser followed by the founding of Germany’s first experiment with democracy. But the punishing terms imposed by the Treaty of Versailles and revolutionary agitation on both the far left and right contributed to economic dislocation and political violence that would plague the Republic for much of its roughly 14-year existence.

When Kurt Weill wrote his String Quartet in 1923, Germany was in the midst of disastrous hyperinflation that wiped out Germans’ savings and sparked political unrest, culminating in Hitler’s failed Beer Hall Putsch. However, when Berg’s Lyric Suite and Schulhoff’s Concertino were composed in 1925 and 1926, the Republic’s supporters saw reasons for hope as Germany enjoyed a period of much-needed support and stability. While the introduction of the Rentenmark in November 1923 stabilized the currency, the signing of the Locarno Treaties in October 1925 held the promise of restoring relations between Germany and its former enemies Great Britain and France. Unfortunately, such stability would not endure. The US stock market crash in 1929 imposed huge burdens on the German economy, and Hitler’s appointment as chancellor in January 1933 marked the beginning of the end for Weimar democracy.

 

—Brendan Fay, author of Classical Music in Weimar Germany

Bios

Ensemble Connect

Ensemble Connect was created in 2007 by Carnegie Hall’s Executive and Artistic Director Clive Gillinson and The Juilliard School’s President Joseph W. Polisi. Ensemble Connect is a two-year fellowship program for extraordinary young professional classical musicians residing in the US ...

Read More

Stay Up to Date